Should this item be out of stock at the time of your order, we would expect to be able to supply it to you within 4 - 7 business days. Wallfisch plays with a restrained use of vibrato and a nicely judged expressive feeling, and in the Double Concerto (which he shares with Keith Harvey), there is much bustling interchange in the outer movements, with the soloists answering each other eloquently in the Largo.$45.00 Low Stock add to cart ANTONIO VIVALDIįrancesco Galligioni (cello) / L'Arte dell'Arco, Federico Guglielmo Kraemer’s use of the organ continuo, both in tutti and to underpin the solo cello line (in RV 419, for instance), is most effective, while in Allegros the alert, resilient orchestral strings are a pleasure in themselves.

He forms an admirable partnership with the City of London Sinfonia, directed from the harpsichord or chamber organ by Nicholas Kraemer, so that, although not using period instruments, the effect is as authentic as you could want. The Naxos series is part of a planned overall survey, and in the solo Concertos the choice of Raphael Wallfisch could hardly have been bettered.

Here are two highly recommendable recordings of Vivaldi’s ‘complete’ Cello Concerto neither is quite complete, but if it is the 27 solo Concertos you are most concerned with, then Raphael Wallfisch offers them all, including the sole Double Cello Concerto, RV 531 (which Ofra Harnoy omits), and the Concerto for Cello and Bassoon, RV 409… Vivaldi liked to write for instruments playing in the middle and lower register, favouring both the bassoon and cello (the latter a relatively new instrument in his time, having taken the place of the viola da gamba as a favoured solo instrument).

Vivaldi complete cello concertos