It looks like automatic syncing for multicam has become much more reliable now, though. To the point where I just gave up with it and went back to Premiere Pro. I tried a little multicam editing in those early versions, and it really wasn’t the best at all. It’s up to version 15 now, and the editing features have come particularly far. You can even use the number keys on your keyboard (the ones across the top, not the numeric keypad), to switch between camera views – although Alex says this feature can be a little temperamental.ĭaVinci Resolve has come a very long way since I first started playing around with it back in version 11. You can just leave it playing the whole time and click from one angle to another during playback. Simply drag the multicam clip into your sequence, tell the preview window that you’re looking at a multicam clip, and you can click away while you play back the footage automatically cutting up the sequence as you go.Īlex pauses the sequence to make his cuts so that he can time them up with a little finer control, but you don’t have to. Add a marker to each clip at the exact moment this action happens, and when you tell Resolve to sync, just choose markers instead of sound for the Angle Sync.įrom there, editing the multicam sequence is the same for both.

It allows each camera to see an action that’s immediately obvious to somebody looking at the footage when that action is happening. You’ll often see people clap in front of the camera on low budget productions to achieve this. You just need a fast sharp action that can be seen by all of the cameras. The only real difference between the two methods is that here, we have to look for this visual signal ourselves and then tell Resolve where it is. Because there’s no way for the software to “hear” where the clips match, we have to give each clip a visual signal to be able to tell Resolve where they line up. The process then runs very quickly – much more quickly than I’ve experienced using the similar process in Premiere Pro or PluralEyes.

When the dialogue box pops up, just tell it to use the sound for the “Angle sync”. With audio, it’s simply a case of dragging the different camera angles into your media pool, selecting them all and choosing “Create new multicam clip using selected clips…” from the right click menu. It’s a bit easier with audio, but doing it without isn’t difficult if you take a precaution or two while filming.

How to sync audio in davinci resolve 16